-
SOLDA hand-formed earthenware vessel with two elongated handles and a dark, smoke-blackened surface. The uneven texture, worn edges and traces of old pigment give it an authentic, time-worn presence. Areas of loss around the handles and base add to its primitive character. A bold, sculptural piece with a raw, earthy feel.
-
SOLDSmall rustic elm stool with a weathered, time worn surface and simple pegged construction. The wood has a beautiful dry patina and old tool marks that give it real character. A great little piece for stacking books, lifting a plant, or adding a quiet bit of texture to a room.
-
SOLD
Hand painted triptych icon sourced abroad, with richly coloured scenes and gilt background. The central panel depicts the Madonna and Child in traditional stylised form, surrounded by saints and protective figures on the two hinged wings. Each section is painted by hand with fine outlining, bright pigments and layered gold tones that catch the light beautifully.
The exterior doors are decorated with floral motifs, giving the piece a softer folk art feel when closed. Open it up and the interior has real impact, with the full triptych layout and detailed storytelling scenes. Light age wear to the paint and wood, nothing that takes from the look. A striking devotional object and a collectible example of hand painted icon work.
-
Antique plaster relief of a reclining classical figure, finished with a natural calcite patina. Over time, mineral rich water has deposited a thin layer of calcite across the surface which gives it a soft stone like feel and a unique aged texture.
Likely late nineteenth or early twentieth century. Fine detailing in the drapery, trees, and figure. A beautiful decorative piece with real character.
Set in an oval frame with a warm timber finish, the piece has strong depth and texture that echo antique Grand Tour studies. A decorative classical work with real presence. -
Striking three drawer apothecary cabinet with original painted labels and beautifully worn surface. The mix of black, red and gold gives it real presence. The patina is proper and untouched, with lovely wear across the front panels and the labels are still readable. The proportions are great and it works as a statement storage piece for a kitchen, bathroom or as styling decor. A proper statement piece for anyone who loves authentic patina and early functional furniture.
Height 52 cm
Width 27 cm
-
A Victorian gypsy or fortune teller’s table with a circular faux leather top, finished with mustard passementerie fringe. Raised on three finely turned mahogany legs united by ring-turned stretchers and a central finial, this piece has strong decorative presence and great proportions. Ideal as a side table, lamp table or statement accent in a layered interior.
-
A decorative late 19th century oil on canvas landscape depicting calm waters and distant mountains, painted in soft earthy tones of blue, green and muted pink. The painting is housed in an ornate Victorian gilt frame with oak leaf and acorn detailing, adding warmth and character. A timeless piece that sits comfortably in both period and contemporary interiors.
-
Large brass church candelabra standing 120 cm tall and 90 cm wide. It holds nine candles across elegant curved arms, with a central crown shaped drip tray and decorative scrollwork. Solid brass with floral bosses and a weighted base typical of early to mid twentieth century ecclesiastical pieces. A dramatic statement piece with real presence, perfect for a hallway, dining room, or feature corner. Height 120cm Width 90cm







